{"id":1149,"date":"2023-08-09T16:44:12","date_gmt":"2023-08-09T14:44:12","guid":{"rendered":"https:\/\/maxirodriguez.net\/?page_id=1149"},"modified":"2023-11-09T19:14:05","modified_gmt":"2023-11-09T18:14:05","slug":"dramaturgo","status":"publish","type":"page","link":"https:\/\/maxirodriguez.net\/en\/playwright\/","title":{"rendered":"Playwright"},"content":{"rendered":"<div data-elementor-type=\"wp-page\" data-elementor-id=\"1149\" class=\"elementor elementor-1149\" data-elementor-post-type=\"page\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-e0a47da elementor-section-full_width elementor-section-height-default elementor-section-height-default\" data-id=\"e0a47da\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-82494c7\" data-id=\"82494c7\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-25bf377 elementor-widget__width-auto elementor-mobile-align-center elementor-widget-mobile__width-auto elementor-widget elementor-widget-breadcrumbs\" data-id=\"25bf377\" data-element_type=\"widget\" data-widget_type=\"breadcrumbs.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<p id=\"breadcrumbs\"><span><span><a href=\"https:\/\/maxirodriguez.net\/en\">Start<\/a><\/span><\/span><\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-fcbbe78 elementor-invisible elementor-widget elementor-widget-heading\" data-id=\"fcbbe78\" data-element_type=\"widget\" data-settings=\"{&quot;_animation&quot;:&quot;fadeInUp&quot;}\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<h1 class=\"elementor-heading-title elementor-size-default\">Playwright<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-51bef85 elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"51bef85\" data-element_type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-a66457b elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"a66457b\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-2d3644c\" data-id=\"2d3644c\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-101cf13 elementor-widget elementor-widget-text-editor\" data-id=\"101cf13\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<h4><span style=\"color: #993300;\">DRAMA<\/span><\/h4>\n<h4><b>WAVES,&nbsp;<\/b><b>1985<\/b><\/h4>\n<ul>\n<li>Estrenada por el colectivo \u00abCest\u00f3n de M\u00e1scaras\u00bb<\/li>\n<li><i style=\"line-height: 1.5em;\">NATIONAL GOLDEN SPIKE AWARD<\/i><span style=\"line-height: 1.5em;\">, Guadalajara, 1985.<\/span><\/li>\n<li>Publicada en la revista \u00abEstaferia\u00bb (N\u00baprimavera del 87) y reeditada en \u00abEstreno\u00bb (Revista semestral dedicada al teatro espa\u00f1ol del siglo XX puboicada en Penn State University) y en \u201cEscena\u201d de Barcelona.<\/li>\n<\/ul>\n<ul>\n<li>Representada por&nbsp;la compa\u00f1\u00eda \u00abArena\u00bb de Jaen<\/li>\n<li>Represented by the company \u201cNovedous\u201d theater of Ourense<\/li>\n<\/ul>\n<h4><b>GAITA AND MARIA<\/b><b>, 1986<\/b><\/h4>\n<ul>\n<li><i style=\"line-height: 1.5em;\">SOTO TORRES PRIZE<\/i><span style=\"line-height: 1.5em;\"> of stage projects. Langreo, Asturias, 1986.<\/span><\/li>\n<\/ul>\n<h4><b>MY COITUS OR THE EPIC OF THE BUP<\/b><b>, 1987<\/b><\/h4>\n<ul>\n<li>Estrenada por \u00abTeatro del Norte\u00bb en el Teatro Campoamor de Oviedo y publicada por el Cercle Artistic de Ciutadella, 1988<\/li>\n<li><i>BORNE AWARD<\/i><b><i> <\/i><\/b>theatrical. Ciutadella de Menorca, Balearic Islands, 1987.<\/li>\n<li>Representada por la \u00ab<span style=\"font-size: 1em; line-height: 1.5em;\">Joven Compa\u00f1\u00eda M\u00f2dul de Baleares\u00bb<\/span><\/li>\n<\/ul>\n<h4><b>THE COLOR OF THE WATER,<\/b><b> 1989<\/b><\/h4>\n<ul>\n<li>Estrenada por \u00abProducciones Toaletta S.L\u00bb<\/li>\n<li><i>MARQUES DE BRADOMIN AWARD<\/i>&nbsp; Ministerio de Asuntos Sociales (Instituto de la Juventud)&nbsp; Editada por el Instituto de la Juventud, 1990 y Reeditada por&nbsp; \u00abDeus ex Machina\u00bb, 1995<\/li>\n<li>Representada por la compa\u00f1\u00eda&nbsp;\u00abV\u00e9rtigo\u00bb de Guadalajara<\/li>\n<li>Representada por la compa\u00f1\u00eda \u00abArena\u00bb de Jaen<\/li>\n<li>Representada por la compa\u00f1\u00eda \u00abTeatro Noct\u00e1mbulo\u00bb<\/li>\n<li>Represented by the company \u201cLa Traca Teatre\u201d from Murcia<\/li>\n<li>Represented by the company \u201cEl Aladroque Producciones\u201d from Barcelona<\/li>\n<li>By the company \u201cCompany Loplop\u201d of Tenerife<\/li>\n<\/ul>\n<h4><b>HALLUCINA, COLOMBINA, <\/b><b>1990<\/b><\/h4>\n<ul>\n<li>Estrenada por la compa\u00f1\u00eda \u00abPipo y Mari\u00bb<\/li>\n<\/ul>\n<h4><b>TRIS\/TRAVEL<\/b><b>,<\/b><b> 1992<\/b><\/h4>\n<ul>\n<li>Estrenada por \u00abToaletta Teatro S.L\u00bb<\/li>\n<\/ul>\n<h4><b>THE CURRAN 3<\/b><b>,<\/b><b> 1993<\/b><\/h4>\n<ul>\n<li>Estrenada por \u00abToaletta Teatro S.L\u00bb<\/li>\n<\/ul>\n<h4><a href=\"http:\/\/www.contextoteatral.es\/oeoeoe.html\" target=\"_blank\" rel=\"noopener\"><b>O\u00c9, O\u00c9, O\u00c9!, 1994 [+]<\/b><\/a><\/h4>\n<ul>\n<li>Estrenada por \u00abToaletta Teatro S.L\u00bb<\/li>\n<li>Publicada por editorial \u00abLa Avispa\u00bb de Madrid, 1994<\/li>\n<li>Representada por la compa\u00f1\u00eda \u00abTeatro del Temple\u00bb de Arag\u00f3n<\/li>\n<li>Representada por la compa\u00f1\u00eda \u00abSuspiro S.L\u00bb de Madrid<\/li>\n<li>Represented by the Faculty of Business of Seville<\/li>\n<li>Represented by the company \u201cZaranda Trouppe\u201d from Tenerife<\/li>\n<li>Traducida al idioma gallego y representada por la compa\u00f1\u00eda \u00abTeatro do Aqu\u00ed\u00bb de Santiago de Compostela<\/li>\n<\/ul>\n<h4><b>CABARET PILLS,<\/b><b> 1995<\/b><\/h4>\n<ul>\n<li>Estrenada por \u00abToaletta Teatro S.L\u00bb<\/li>\n<\/ul>\n<h4><b>THE ART THAT MADE PUB,<\/b><b> 1996<\/b><\/h4>\n<ul>\n<li>Publicada por la revista \u00abEstreno\u00bb de la Pennsylvania State University, Oto\u00f1o del 97<\/li>\n<li>Performed in the Cycle of dramatized readings of the Theater of the fin de si\u00e8cle, at the C\u00edrculo de Bellas Artes in Madrid on September 26, 1997.<\/li>\n<\/ul>\n<h4><b>VERY MUCH,<\/b><b>1996<\/b><\/h4>\n<ul>\n<li>Estrenada por \u00abToaletta Teatro S.L\u00bb en el Teatro Jovellanos de Gij\u00f3n, el 8 de enero de 1997.<\/li>\n<\/ul>\n<h4><b>THE HOUSE,<\/b> <b>1998<\/b><\/h4>\n<ul>\n<li>Edited by the \u201cVI Exhibition of Spanish Theater of Contemporary Authors<b>\u201d<\/b> of the Alicante Festival, within the volume \u201cAt the edge of the Area\u201d<\/li>\n<\/ul>\n<h4><b>THE LOBE AND THE EARS,<\/b> <b>1998<\/b><\/h4>\n<ul>\n<li>Edited by the Jovellanos Theater of Gij\u00f3n and premiered by the Asturias Theater Institute.<\/li>\n<li><i>JOVELLANOS NATIONAL AWARD<\/i><\/li>\n<\/ul>\n<h4><b>TERMINAL 3<\/b><b>, <\/b><strong>2002<\/strong><\/h4>\n<ul>\n<li>Work carried out through a scholarship to support literary creation from the Department of Culture of the Principality of Asturias.<\/li>\n<\/ul>\n<h4><b>STAGE FEAR,<\/b><b> <\/b><strong>2002<\/strong><\/h4>\n<ul>\n<li>Espect\u00e1culo en gira producido por \u00abYacer Teatro\u00bb (Madrid) en colaboraci\u00f3n con los autores C\u00e1ndido Paz\u00f3, Ernesto Caballero, Maxi Rodr\u00edguez, Juan Mayorga y Rodolf Sirera.<\/li>\n<\/ul>\n<h4><b>THE MIME,<\/b> <strong>2005<\/strong><\/h4>\n<ul>\n<li>Monologue included in the show \u201cGRITA SIDA\u201d and performed in different places at the Autonomous University, and in various parts of Madrid, on the occasion of World AIDS Day.<\/li>\n<\/ul>\n<h4><a href=\"http:\/\/www.contextoteatral.es\/lasaerobicas.html\" target=\"_blank\" rel=\"noopener\"><b>AEROBIC, <\/b><strong>2007 [+]<\/strong><\/a><\/h4>\n<ul>\n<li>Work published by the Asturian theater magazine \u201cLa Ratonera\u201d (September 2007)<\/li>\n<li>Represented by Teatro Dino del Federico in Argentina.<\/li>\n<\/ul>\n<h4><b>EMMA, <\/b><strong>2008<\/strong><\/h4>\n<ul>\n<li>Obra inspirada en el relato \u201cEmma Zunz\u201d de Jorge Luis Borges, estrenada en coproducci\u00f3n por \u00abTeatro del Norte\u00bb (Asturias, Espa\u00f1a) y \u00abCecilia Hopkins\u00bb (Buenos Aires, Argentina)<\/li>\n<\/ul>\n<h4><a href=\"http:\/\/www.contextoteatral.es\/crecer.html\" target=\"_blank\" rel=\"noopener\"><b>GROW, <\/b><strong>2009 [+]<\/strong><\/a><\/h4>\n<ul>\n<li>Award-winning work in the V IBERO-AMERICAN COMPETITION OF CHILDREN&#039;S AND YOUTH&#039;S DRAMATURGY.<\/li>\n<li>Published by the Bilbao Puppet Documentation Center.<\/li>\n<li>Galardonada con 5 Premios Oh! y estrenada por \u00abEl callej\u00f3n del gato\u00bb en 2015<\/li>\n<\/ul>\n<h4><b>PRECARIOUS THEATER, <\/b><strong>2010<\/strong><\/h4>\n<ul>\n<li>Work made from the \u201cTeatro Precario\u201d section in the magazine \u201cAtl\u00e1ntica XXII\u201d. Released by the \u201cEl Perro Flaco\u201d Company.<\/li>\n<\/ul>\n<h4><b>LOW COST, <\/b><strong>2011<\/strong><\/h4>\n<ul>\n<li>Work premiered by the \u201cHigi\u00f3nico Papel\u201d Company at the Jovellanos Theater in Gij\u00f3n.<\/li>\n<\/ul>\n<h4><b>HANGED, <\/b><strong>2012<\/strong><\/h4>\n<ul>\n<li>Collective work premiered by the company \u201cTeatro Jacara\u201d from Alicante at the Tal\u00eda Theater in Valencia.<\/li>\n<\/ul>\n<h4><a href=\"http:\/\/www.contextoteatral.es\/dejarsecaer.html\" target=\"_blank\" rel=\"noopener\"><b>LET YOURSELF FALL, <\/b><strong>2015 [+]<\/strong><\/a><\/h4>\n<ul>\n<li>Unworn. The enormous taboo on suicide in the media is the center of an emotional and professional relationship between two journalists of different generations linked to current events.<\/li>\n<\/ul>\n<h4><a href=\"http:\/\/www.contextoteatral.es\/elpequenoverdugo.html\" target=\"_blank\" rel=\"noopener\"><b>THE LITTLE EXECUTIONER, <\/b><strong>2017 [+]<\/strong><\/a><\/h4>\n<ul>\n<li>Estrenada en \u00abAtl\u00e1ntica XXII\u00bb<\/li>\n<\/ul>\n<h4><b>KOOPERAROCK, <\/b><strong>2017<\/strong><\/h4>\n<ul>\n<li>Estrenada en San Sebasti\u00e1n por \u00abTeatro Para\u00edso\u00bb<\/li>\n<\/ul>\n<h4><a href=\"http:\/\/www.contextoteatral.es\/niueunderthecoconuts.html\" target=\"_blank\" rel=\"noopener\"><b>NIU\u00c9 UNDER THE COCONUTS, <\/b><strong>2018<\/strong><\/a><a href=\"http:\/\/www.contextoteatral.es\/niueunderthecoconuts.html\" target=\"_blank\" rel=\"noopener\"> [+]<\/a><\/h4>\n<ul>\n<li>Estrenada en Asturias por \u00abEscenApache\u00bb<\/li>\n<\/ul>\n<h3 style=\"text-align: left;\" align=\"center\"><span style=\"color: #993300;\">OPERETTA<\/span><\/h3>\n<h5><b>MAHARAHA,&nbsp;<\/b><b>2017<\/b><\/h5>\n<ul>\n<li>Libretto by Maxi Rodr\u00edguez<\/li>\n<li>Sheet music by Guillermo Mart\u00ednez<\/li>\n<li>Premiered at the Campoamor Theater in Oviedo<\/li>\n<\/ul>\n<h5><b>THE VERBENA DE LA PALOMA FULL BOARD,&nbsp;<\/b><b>2018<\/b><\/h5>\n<ul>\n<li>Adaptation of the Zarzuela by Tom\u00e1s Bret\u00f3n and Ricardo de la Vega<\/li>\n<li>Premiered at the Campoamor Theater in Oviedo<\/li>\n<\/ul>\n<div>\n<h5 style=\"font-family: Frygia, sans-serif; color: rgb(0, 0, 0);\"><b>THE FARMHOUSE<\/b><\/h5><div><ul style=\"font-size: 19.2px; background-color: rgb(255, 255, 255);\"><li style=\"font-size: 19.2px;\">Co-production of the Arriaga Theater and the Compoamor Theater.<\/li><\/ul><\/div>\n<\/div>\n<div><br><\/div>\n<h3 style=\"text-align: left;\" align=\"center\"><span style=\"color: #993300;\"><b>ADAPTATIONS<\/b><\/span><\/h3>\n<ul>\n<li>Spanish version of <b>\u00abCUARTETO PARA CUATRO ACTORES\u00bb<\/b> by B. Shaffer.\n<ul>\n<li>Show co-produced by the Teatro Nuevo company and the NATIONAL DRAMATIC CENTER and premiered in the Margarita Xirgu room of the Mar\u00eda Guerrero Theater in Madrid.<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul>\n<li>Spanish version of<b> \u00abENSAYOS PARA SIETE\u00bb<\/b> by Boguslaw Shaffer.\n<ul>\n<li><i><i>Show co-produced by the Almada International Theater Festival (Portugal) and the National Center for New Performing Trends with the collaboration of the NATIONAL DRAMATIC CENTER and the Community of Madrid.<\/i><\/i><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<h3 style=\"text-align: left;\"><span style=\"color: #993300;\">INTERNATIONAL PREMIERES<\/span><\/h3>\n<h4><strong>Goose-flesh<\/strong><\/h4>\n<ul>\n<li>Compa\u00f1\u00eda \u00abSoles del Sur\u00bb. Teatro \u00abBrett\u00bb de Viena, AUSTRIA<\/li>\n<\/ul>\n<h4><b>O\u00e9, o\u00e9, o\u00e9<\/b><\/h4>\n<ul>\n<li>\u201c4PlayProject\u201d company. Theater \u201cEn Athinais\u201d in Athens, GREECE<\/li>\n<li>Compa\u00f1\u00eda \u00abAriain Dram\u00e1tica\u00bb. Festival de Manizales, COLOMBIA<\/li>\n<li>Compa\u00f1\u00eda&nbsp;\u00abEl Buf\u00f3n Negro\u00bb. Santiago de CHILE. Gira Internacional<\/li>\n<li>Almada Theater Office, Portugal<\/li>\n<li>Dramatic Center of Viana do Castelo, Portugal<\/li>\n<\/ul>\n<h4><b>Aerobics<\/b><\/h4>\n<ul>\n<li>Dino Del Federico Theater. Rosary beads. Argentina<\/li>\n<\/ul>\n<h4><b>Emma<\/b><\/h4>\n<ul>\n<li>Cecilia Hopkins Company. Buenos Aires. Argentina<\/li>\n<\/ul>\n<h4><b>The Art That Made Pub<\/b><\/h4>\n<ul>\n<li>Asheville Latin Theatre, Telash, North Carolina<\/li>\n<\/ul>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-f4a4719 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"f4a4719\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-ca74e22\" data-id=\"ca74e22\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-b0a4c6e elementor-align-center elementor-widget elementor-widget-button\" data-id=\"b0a4c6e\" data-element_type=\"widget\" data-widget_type=\"button.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-button-wrapper\">\n\t\t\t\t\t<a class=\"elementor-button elementor-button-link elementor-size-md elementor-animation-grow\" href=\"https:\/\/maxirodriguez.net\/en\/contact\/\">\n\t\t\t\t\t\t<span class=\"elementor-button-content-wrapper\">\n\t\t\t\t\t\t\t\t\t<span class=\"elementor-button-text\">Talk later?<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p>Dramaturgo OBRA DRAM\u00c1TICA ONDAS,&nbsp;1985 Estrenada por el colectivo \u00abCest\u00f3n de M\u00e1scaras\u00bb PREMIO NACIONAL ESPIGA DE ORO, Guadalajara, 1985. Publicada en la revista \u00abEstaferia\u00bb (N\u00baprimavera del 87) y reeditada en \u00abEstreno\u00bb (Revista semestral dedicada al teatro espa\u00f1ol del siglo XX puboicada en Penn State University) y en \u201cEscena\u201d de Barcelona. Representada por&nbsp;la compa\u00f1\u00eda \u00abArena\u00bb de Jaen [&hellip;]<\/p>","protected":false},"author":4,"featured_media":14097,"parent":0,"menu_order":16,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"_joinchat":[],"footnotes":""},"class_list":["post-1149","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Dramaturgo | Maxi Rodr\u00edguez<\/title>\n<meta name=\"description\" content=\"Actor, guionista, profesor de comunicaci\u00f3n y expresi\u00f3n dram\u00e1tica y director de escena.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/maxirodriguez.net\/en\/playwright\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" 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